With Behar, what I see in their faces is a curiosity about this film, almost a morbid curiosity, since it promises a glimpse of a war that she is fascinated and confused by.

Behar's question is telling – she wonders “what happened” during filming to make a man who believes “it's all falling apart over there” come home with a real appreciation for his brothers and their “brothers” still fighting in Iraq.

That sour face is the dour look of suspicion that her closely held and endless cackling against the war is empty, lacking any real experience or understanding, just a social norm for her environment, something to make the audience clap (because they want to fit in too.)

I bet she watches the movie, is confused by it, but maybe learns something from it.

Or she can play it safe and cling to one or two sound bites or images in there that she finds “disturbing” as vindication of her position – so she can ignore the rest of the entirety which challenges her to reconsider her years of vapid indignation.

Good on Gary Sinise for promoting this film. I'd like to see it myself.